unalaska

Light stands still, it's everything else that shifts.
jennilee:

Kindskopf (Head of a Child) at the State Russian Museum, St. Petersburg - 1997 400 cm x 600 cmoil and acrylic on canvasPreparation for the Gottfried Helnwein Retrospective

jennilee:

Kindskopf (Head of a Child) at the State Russian Museum, St. Petersburg - 1997 
400 cm x 600 cm
oil and acrylic on canvas
Preparation for the Gottfried Helnwein Retrospective

(via fuckyeahtherussia)

One moral of such events is obvious: If you would avoid tragedy, avoid love; if you cannot avoid love, avoid integrity; if you cannot avoid integrity, avoid the world; if you cannot avoid the world, destroy it. Our tragedy differs from this classical chain not in its conclusion but in the fact that the conclusion has been reached without passing through love, in the fact that no love seems worth founding one’s life upon, or that society — and therefore I myself — can allow no context in which love, for anything but itself, can be expressed. In such a situation it can look as if that state is the villain and all its men and women merely victims. But that picture is only a further extension of the theatricality that causes it. Our problem is that society can no longer hear its own screams. Our problem, in getting back to the beginnings, will not be to find the thing we have always cared about, but to discover whether we have it in us always to care about something.

Stanley Cavell, The Avoidance of Love: A Reading of King Lear in Must we mean what we say. (via isleofi)

(Source: femmephilia)


My notion of a work of art is not that it is a copy or a representation  of reality, but an addition to reality which is intensely human itself.  It contains—embodies—human consciousness, presumably at a high level of  refinement. 
—William H. Gass, BOMB 51 1995

My notion of a work of art is not that it is a copy or a representation of reality, but an addition to reality which is intensely human itself. It contains—embodies—human consciousness, presumably at a high level of refinement.

William H. Gass, BOMB 51 1995

(via bombmagazine)

the-influence:

[Ива́ново де́тство/Ivan’s childhood, Andrey Tarkovsky, 1962]

the-influence:

[Ива́ново де́тство/Ivan’s childhood, Andrey Tarkovsky, 1962]